Manufacturer: Synthetic Future X R_Ware

Contact Synthetic Future X R_Ware

Or Get It As Part of Micro Voice Alunia Bundle

$10.00 Add to Cart

Inspired by Yesterday's Legends. Built for Today.

Micro Voice Alunia is a versatile polyphonic synth voice designed for powerful, immediate sound creation within Voltage Modular. With two bold oscillators plus a sub oscillator, an expressive filter, and a smooth, musical envelope and lfo, it brings rich, playable tones to everything from shimmering pads to ripping lead sounds to deep, punchy bass. A lush stereo chorus completes the package.

MANUAL

INTERFACE

  • PITCH CV
    • 1V/Octave pitch CV input
  • OCT Knob
    • Set the base octave
  • LEGATO Knob
    • set the time overlapping notes glide in pitch
    • NOTE: the time is constant regardless of distance between the start and end pitch
  • MOD LFO Knob
    • LFO Modulation strength on the pitch
  • GATE CV
    • Gate input that controls the ENVelope
  • VCO/LFO SYNC switches
    • Retrigger the VCOs/LFO when a new gate is received
  • VELOCITY CV
    • Controls the output level
    • NOTE: the CV is sampled and held when a new gate is received
  • DRIFT Knob
    • VCO pitch drift strength
  • UNISON Switch
    • Set the number of unison voices per VCO
  • DETUNE Knob
    • Set the amount of unison detune
  • EXT IN CV
    • Feed an external signal into the internal MIXER

ENV

  • ATTACK Knob
    • Set the attack time of the envelope
    • NOTE: the attack phase starts at the current envelope level. If the release phase is not finished the attack picks up where the release was.
  • Decay Knob
    • Set the decay time of the envelope
  • Sustain Knob
    • Set the sustain level of the envelope
  • Release Knob
    • Set the release time of the envelope
    • NOTE: the release phase starts as soon as the gate is low regardless of which stage the envelope is currently at
  • OUTPUT CV
    • Direct output of the envelope signal

LFO

  • ONSET Knob
    • Set the onset time the LFO takes to reach full level
    • NOTE: the LFO is linear
    • NOTE: the LFO itself is monophonic, but the ONSET is polyphonic
  • FREQ Knob
    • Set the LFO frequency
    • NOTE: when SYNC is enabled the time is set in relation to the set BPM
  • SYNC Switch
    • Set tempo sync for the LFO frequency
  • FREQ CV
    • Exponential CV input to modulate the LFO frequency
    • NOTE: When LFO FREQ Knob is fully turned up the LFO is set to C1 and can be played in pitch with 1V/Octave signals on the FREQ CV input
  • SHAPE Knob
    • Control the shape of the LFO continuously from triangle-ish to sine-ish to square-ish
    • NOTE: the lfo is tuned to be smooth so you wont get harsh kinks or jumps
  • OUTPUT CV
    • Direct output of the LFO signal

VCO1

  • TRIANGLE/SAW/SQUARE Toggle Buttons
    • Enable or disable the respective waveshape for the VCO
    • NOTE: enabling multiple waveshapes attenuates the VCO accordingly
  • PW Knob
    • Control the Pulse-Width of the SQUARE waveform
  • PW ENV/LFO Knobs
    • Control the amount of ENV/LFO modulation on the SQUARE's Pulse-Width
  • PW CV
    • Control the Pulse-Width of the SQUARE waveshape with CV
  • OUTPUT
    • Direct output of the VCO1 signal

VCO2

  • DETUNE Knob
    • Pitch detune of VCO2 relative to the received PITCH CV signal
  • SAW/SQUARE Toggle Buttons
    • Enable or disable the respective waveshape for the VCO
    • NOTE: enabling multiple waveshapes attenuates the VCO accordingly
  • PW Knob
    • Control the Pulse-Width of the SQUARE waveform
  • PW ENV/LFO Knobs
    • Control the amount of ENV/LFO modulation on the SQUARE's Pulse-Width
  • PW CV
    • Control the Pulse-Width of the SQUARE waveshape with CV
  • CROSSMOD Knob
    • Linear FM amount from VCO1
  • OUTPUT
    • Direct output of the VCO2 signal

VCO ADD

  • SUB Toggle Button
    • Enable the SUB VCO
    • NOTE SUB VCO is in phase with VCO1 (base unison voice if enabled)
  • OCTAVE KNOB
    • Set sub octave relative to the base PITCH (PITCH CV + Octave Knob)
  • SHAPE Knob
    • Set shape of the SUB VCO from sine to smooth square
  • OUTPUT
    • Direct output of SUB VCO signal

MIXER

  • VCO1/VCO2/SUB/EXT IN/NOISE Knobs
    • Set the level of the respective signal
  • OUTPUT
    • Direct output of MIXER signal

VCF

  • HPF Knob
    • Set the frequency of the 1 Pole (6dB/Octave) High-Pass Filter
  • FREQ Knob
    • Set the frequency of the main Low-Pass Filter
  • FREQ ENV/LFO
    • Set the amount of ENV/LFO modulation on the Low-Pass Filter Frequency
  • FREQ CV
    • Control the Low-Pass Filter Frequency with exponential CV (1V/Octave)
    • NOTE: if resonance is turned up to self-oscillation the filter can be played in pitch with this CV input
  • RES Knob
    • Set the Low-Pass Filter Resonance
    • NOTE: at high values the filter starts to self-oscillate producing a sine wave
  • DRIVE Knob
    • Set the drive for the input signal for the Low-Pass Filter to overdrive the filter into saturation
    • NOTE: with high signals the filter frequency slightly deviates
  • TYPE Switch
    • Set the Low-Pass Filter type
    • NOTE: Sets the number of filter poles
    • 1 Pole: 6dB/Octave
    • 2 Pole: 12dB/Octave
    • 3 Pole: 18dB/Octave
    • 4 Pole: 24dB/Octave
  • TRACKING Knob
    • Set the Low-Pass Filter Frequency tracking for the input PITCH CV
  • OUTPUT CV
    • Direct output of the VCF signal

VCA

  • LEVEL Knob
    • Set the overall output level of the signal
  • LEVEL CV
    • Modulates the level in relation to the VCA level
    • NOTE: overall volume contour from ENV/GATE is applied over the CV
  • MODE Switch
    • Set the VCA level mode from ENV to GATE
    • NOTE: When GATE is enabled the ENV isn't applied to the level but a gate with very brief attack and release to mitigate clicks

CHORUS

  • CHORUS Knob
    • Set the strength of the chorus effect (dry/wet)
  • FREQ Knob
    • Set the frequency of the modulation signal
  • STEREO Knob
    • Set the phase offset between left and right channel modulation (0 degree to 180 degree)

EQ

  • HI BOOST
    • Set the gain of the high-shelf filter applied to the signal to boost the high-end
  • LO BOOST
    • Set the gain of the low-shelf filter applied to the signal to boost the low-end

OUTPUTS

  • STEREO signal output (monophonic)